Slight edge wear on bottom of hard cover and dust jacket, slight spine bump on lower back corner.
Trim size: 8.75 x 9.75 inches, 144 pages with 90 four-color photographs
Susan Anderson’s photobook High Glitz, The Extravagant World of Child Beauty Pageants is a series of formal portraits of young girls who participate in beauty pageants that have been exclusively tailored for them. These pageants are unique to the United States. Anderson chooses to focus her lens on the resulting “confectionary” effects rather than a broader investigation of this mini-industry. She has also chosen to exclude the young boys who also compete, but have a minor presence in these pageants.
Susan Anderson: “I have set up some parameters for myself when shooting portraits at these pageants. Rule number one is never to direct the girls other than making minor adjustments of their chosen pose. Frequently I ask to see the back of a dress, or a hairstyle in profile. I make sure they catch the key light just right, or may ask them to adjust a hand, or tit a chin, but never give a type of creative direction that could be constructed as manipulative. My job is to record what I see. The subjects have a self-awareness beyond their years, and have been coached and trained for moments like this one, in front of the camera.”
Book review excerpt: The book is segmented into formal portraits by the pageant even categories; Beauty/Formal Wear, Modeling, Western Wear/Pro-Am and Crowning. The book concludes with a delightful High Glitz Style Guide, providing essential pointers for those who do not have a clue to the pageant requirements. Provides some of those important rules, such as when “bling” is permitted or not, and the correct time to use the “oohs and aahs” or incorporate a “rip off”. There are pointers on the use of flippers (teeth), hairstyles that include the Barbie, Up-do, Falls, Ringlets, Swept Up, and Add-ons which include wiglets, wigs, falls & braids. The girls need to be aware of when they might want to incorporate a “full southern” as apposed to a basic “cupcake”. It is apparent that like any subculture, the pageants have their own internal jargon, but that jargon is not directly communicated by Anderson’s photographs.R