Self-published ‘Ciociaria’ Special Edition book + print, Edition of 25. Both the book and archival pigment print are signed with matching numbers.
This is the second Special Edition of ‘Ciociaria’ that is self-published in 2012 (book published in 2011), while the earlier ‘Ciociaria: Cachi (Persimmons), Morolo’ is sold out. Stockdale has created limited edition archival pigment prints for photographs that were not published in his book. Fiuggi is a street photograph that captures a humorous family event in which the man cleaning the top of the entry to his home is under the watchful eye of someone who appears to be his father lurking in the shadows of a doorway. Fathers and their sons.
Publisher: Douglas Stockdale’s ‘Ciociaria’ builds an “organized” flanerie that goes beyond the topography/street photography dichotomy; he erases the direct human aspect and the need of a nearly scientific witness at the same time, enhancing the concept of how every single human being can become acquainted with a place in varied unpredictable ways and times, as well as readapting the landscape to one’s visions and needs.
Stockdale personalizes Ciociaria, a loosely defined rocky and hilly region with memories of ancient Latin yet without a known history, putting aside all stereotypes and re-launching a sort of “personal anonymity”, very typical to areas that developed due to the middle class explosion. Houses, banners, woods, monuments, cars and the outskirts of little towns, nothing is magnificent and luckily nothing is picturesque. The truly great difference lies here: Stockdale does not overdramatically criticize the Italian landscape per se, perceived as an embarrassing overlap of architectural abuse and ignorance, but then again his flanerie is nothing more than an actualization of the grand tour.
His photographs hint of a street photographer’s reportage yet lacks an obvious narrative, providing many hints of a complex and multi-layered culture, creating an indirect portrait of Ciociaria, while leaving most questions tantalizingly unanswered. The photographs capture a paradox of strangeness mixed with familiarity, mystery mixed with beauty, within a context of color, space, and texture.
This book is an investigation into complexities of ambiguity intertwined with feelings of belonging while yet still not fitting in. Stockdale crosses the Ciociaria region and looks for answers, adhering to that landscape and photographing it in such a way as to illustrate what it personally conveys to him. It is about being a stranger in a vaguely familiar land.